
In Megasmall this afternoon we noticed a crowd gathered by the ice skating rink and thought there was some kind of competition going on. It wasn’t the ice they were watching, but the big screen showing old Whitney Houston music videos. Something from her blockbuster movie The Bodyguard (subsequently co-opted by Charice), which in the early 90s was so ubiquitous we wanted to take out a TRO on it. Yes, that song, “InDAAAAAAAAAAAAYYYYYYYYY will always love YOOOOOOOOOOUUUUUUUUUUUUUUUU…”
In those days we would turn up our headphones to block out the sound, but no noise-cancelling technology of the time could prevent it from shredding your nerves. We refused to watch The Bodyguard* because everyone was raving about it, same way we refused to watch Pretty Woman, Ghost, and later, Friends and E.R. Still haven’t seen them. We thought Whitney Houston was beautiful and had a great voice, but we did not care for her material.
Strange, then, that the sight of random mallgoers gathered before a screen was so affecting.
People die all the time, people who were loved, mourned and are still missed, but their passing goes unremarked except by those who knew them. Celebrity turns total strangers into extensions of ourselves—when something happens to them we feel like it’s happening to us. Whitney at the peak of her career was one of the most famous persons on earth, and then she made decisions that the audience disapproved of and became one of the most ridiculed.
As the impromptu Whitney memorial went on it occurred to us that this music we were either indifferent to or disliked actively was by default the soundtrack of the late 80s and 90s. You heard them whether you wanted to or not.
Their singer is gone, permanently fixed in the public memory at age 48, but we will go on living and getting older. Every time we hear one of her songs we will remember that she’s gone and we’re older. Until the time comes when we forget who sang the songs, which is even sadder.
*Remember Kevin Costner? Ruined by the love of his peers. They gave him Oscars he didn’t deserve for a movie we’ve forgotten. Adoration is dangerous because it is always followed by schadenfreude.
[Martin Scorsese (whose Goodfellas lost at the Oscars to Dances With Wolves) had to wait decades to formally receive the movie industry’s love, and to this day we look forward to his movies. We’re already standing in line for Hugo.]