Archive for the ‘Psychology’
Love makes the world go round, says the poet, while the cynic says it’s money; and Peter Toohey, professor of classics at the University of Calgary, constructs an entertaining argument for jealousy being the wellspring of a much greater part of our emotional lives, and of a larger proportion of literature, law, and daily existence, than we may have thought. Elsewhere, Professor Toohey has also worked up boredom and melancholy; in those books as in this brisk survey, he proposes some benefits of emotions usually considered to be negative: jealousy is “a potent means for the assertion of individual rights and the encouragement of cooperation and equitable treatment.”
To distinguish jealousy from its relative, envy, he quotes Peter van Sommers’s succinct definition of the two: “Envy concerns what you would like to have but don’t possess, whereas jealousy concerns what you have and do not wish to lose.” I am jealous of that woman my husband seems to admire; I envy her ability to walk in high heels. Othello is jealous of Desdemona, but Iago is envious of Othello. Toohey emphasizes that the definition is slippery, but that we usually know one from the other; it’s just that the two are intertwined, a Laocoön psychic trope, with jealousy more often than envy associated with violence—thrown dishes, outraged husbands, women scorned, murder. He details some of the more famous, gruesome modern murder cases, but Othello and Medea are the archetypes. “Anger is cruel and fury overwhelming, but who can stand before jealousy?”
Read Who Is Not Guilty of This Vice? by Diane Johnson in the NYRB.
Sherwin Nuland, the brilliant surgeon and author of How We Die: Reflections on Life’s Final Chapter, died in March. (Read Remembering A Surgeon Who Healed With Words. The article has links to his articles at the New Republic.)
Dr. Nuland wouldn’t have written his great works if he hadn’t recovered from a crushing depression leading to his confinement in a mental hospital. When all the available treatments and medications had failed to bring him back from the black pit, a resident suggested electroshock therapy. Those of us who watch too many movies (One Flew Over the Cuckoo’s Nest, Frances) think of electroshock therapy as a form of torture that turns its victims into zombies, but as Nuland recounts in his moving TED talk from 2001, it was his resurrection.
Oddly enough, after watching this TED talk, we picked up Andrew Sean Greer’s The Impossible Lives of Greta Wells, in which the heroine undergoes shock treatment for her depression…and travels through time. (First impression: The plot is very similar to that of Kate Atkinson’s Life After Life, which came out in the same year.)
Find your Discomfort Zone: the subject that makes you uncomfortable and squeamish, that you don’t want to discuss because you’re afraid people will judge you.
Now pitch a tent there. It is the most fertile place for writing, plus it’s free psychotherapy.
If you thought we meant camping, literally, forget about writing. It requires many levels of meaning, and you perceive only one.
Inside Llewyn Davis stars a ginger tom cat named Ulysses, who is actually several cats because cats are divas and don’t like doing retakes. Cute cat, and his human co-star’s not bad, either. Ulysses has received plaudits for his performance, particularly for that scene in the subway where he watches the signs whooshing by (and he is apparently a running theme haha). We are wary of movies featuring animal performers because we were traumatized by Old Yeller, and we especially hate movies where the animal characters are killed off just so the audience will feel something. We don’t think the Coen Brothers will torment Ulysses, but they do enjoy torturing their human characters (wood chippers, bolt guns, etc) so we can’t be sure. Nothing bad better happen to that cat. (This being a Coens movie, we’re assuming Llewyn Davis doesn’t live happily ever after.)
Here are Saffy and Mat’s horror movie auditions.
Read Do Cats Control My Mind? in The Atlantic.